The clergyman and his wife had attended a seance at which a voice was heard, claiming to be their stillborn daughter – whom the ’spirit people’ had named Rose. The voice asked them to sit for a psychic photograph, telling them she would try to appear in it. ‘Rose’ is not clearly apparent in the image. The image of the man was identified as the long-deceased father of the clergyman.
A photograph of Welsh mediums – and brothers – Joe and Will Thomas, taken in about 1920. The Thomas family claimed that the image superimposed over the sitters was the only photograph of their deceased grandmother in existence. Hope, however, would have used an existing photograph of a woman to create the illusion.
The face of a young woman appears over the woman on the right of the photograph. The reverse of the photograph reads: ‘Why is the child always pushing to the front?’ and ‘Do we get messages from the higher spirits?’; perhaps questions the women wanted answering. One of the sitters, at Hope’s request, has signed the plate for authentication.
The image of a young man’s face appears prominently over the man, draped in a cloak. The signature at the base of the image belongs to the sitter. The man had links with the person who compiled the spirit album, and he gave the photograph to her as a keepsake. He apparently recognised the young man’s face.
A woman’s face appears in a ‘misty’ cloud to the right of the man – identified as that of his deceased first wife. Hope may have already held her photograph in his studio, or he may have asked the man to supply her photograph under the pretence of using the image to contact the spirit world.
A photograph of the Welsh medium Joe Thomas, taken in about 1920. The shrouded woman’s face appearing in the photograph was not identified by Thomas – but it may indicate some form of collaboration between him and Hope.
A photograph of a group gathered at a seance, taken by William Hope (1863-1933) in about 1920. The information accompanying the spirit album states that the table is levitating. In reality, the image of a ghostly arm has been superimposed over the table using a double exposure.
A photograph of a mourning scene, probably taken by William Hope (1863-1933) in about 1920. A woman mourns for her husband in a Chapel of Rest, standing by his body which is wrapped in sheets and laden with flowers. The woman’s son stands beside her. The image of a man’s face has been superimposed over the original photograph. The spirit album notes that the family were Roman Catholics and believed in life after death